Complete the assignment below and return to this page when you are ready to submit your image. Only one image per assignment may be submitted. Your photoworkshop.com username and password are required. eXclusive members who are not PPA members are not eligible to enter. Education Merits are valued at 1 Merit for each two assignments completed. A new lesson will be posted every month. Limit your file sizes to 1/2 meg and maximum of 1000 pixels in width or depth. Assignments must be submitted in .jpg format.

Lesson Title: Sculpting with Light

The purpose of this lesson is two fold. Of primary importance is to determine your subjects’ best features and angles and to move your light away from your cameras point of view, be it natural or artificial light.

In creating and capturing your image, I want you to think in terms of black and white although I would assume most of you are capturing digitally and therefore are initially realizing your images in color.

Of first and foremost importance is determining your subjects best features as well as those that you want to play down.  This will help you determine how you want to light the person.  At the same time, this should also help you decide if the person is best suited to studio portraiture or natural light.  Some subjects photograph better under natural light while others work more easily in situations where the light can be more controlled and finessed.  Lighting applies here to both portraits or figure studies.

In constructing your assignment, I would prefer to see clean, simple uncluttered backgrounds, allowing your subjects to take center stage.  Often dark backgrounds help bring the focus to the subject.  Simple elements like the placement of a shoulder or hand or even just a turn of the head can create the visual for a dynamic capture.  If you want to include an external element make it a great shape or form that plays into your image. Make sure it doesn’t distract by fighting with your frame.

Pay close attention to the contrast, color values, tones and hues of everything inside your frame because in converting to black and white, this is what will give your image the edge needed to make that transition to black and white.

Finally when you have figured out exactly what you are doing, remember the importance of sharing all aspects of your vision with your subject.  They don’t know what you are seeing through the lens, nor what it is you are working towards.  Involving them in the shoot and making them feel comfortable and confident will only enhance the energy of your final capture.


Copyright & Rights: Please adhere to all the rules and regulations of copyright with your images and the copyright of others.

Also, listen to the audio interview on copyright with attorney Robert Cavallo in the Conference Room at Photoworkshop.com.

Visit the United States Copyright Office: http://www.copyright.gov/

http://www.photoworkshop.com/registered/pages/conference.html


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