Complete the assignment below and return to this page when you are ready to submit your image. Only one image per assignment may be submitted. Your photoworkshop.com username and password are required. eXclusive members who are not PPA members are not eligible to enter. Education Merits are valued at 1 Merit for each two assignments completed. A new lesson will be posted every month. Limit your file sizes to 1/2 meg and maximum of 1000 pixels in width or depth. Assignments must be submitted in .jpg format.

Lesson Title:  Creating a Strong Image with or without a Model

Lesson Description:

There are two main elements involved in an environmental portrait:  The subject and the environment. The following is an assignment I believe is the best way to make you aware of these elements, and thus help you to create a great image.

Actually, this assignment should also help you to “visualize” better as an image maker, at the same time open your eyes to new “other” subjects, and not just people.

I was first made aware of this when first starting my career.  A creative director saw one of my still life’s and told me she really like the mood, lighting and the environment.... and, if I could put a model in that same setting, she would give me a national ad to shoot for fashion.  You can see where I going with this.  She made me aware of two (2) things.  One is I can keep the same style I was doing for my own work, and apply it to all my images, even commercial work.  The second point is what applies here to this lesson, and what this assignment is about.

Create two (2) images:  One that can stand on its own as a strong still life or landscape.  The other image, using that same location but composed, to include a live subject.

Lesson Requirements: 

Your option. Some photographers story board or sketch, or do layouts of their ideas, I do not. I may have a general idea, but in most cases my personal shooting is more impulsive.

Lesson Prerequisites: 

Use film or Digital camera. If film is used then a scan is required to complete and submit assignment. For a digital camera: computer, imaging software.

Lesson Schedule:

This PPA/PWS Lesson Assignment will take you approximately six (6) hours from conception to “striking the set” (clean up). 

Grading Formula:

The key here is "Don't think technically.  Think aesthetically."


Reference Material:

Books by Robert Farber: Images of Woman, Fashion Photography, Moods, The Fashion Photographer, Farber Nudes, By The Sea, Classic Farber Nudes, Natural Beauty, and Farber, American Moods.

Books by Arnald Newman: Arnold Newman’s Americans; One Mind’s Eye; Faces U.S.A.; The Great British; Arnold Newman, Five Decades; Artists: portraits from four decades.

Tips: 

Keep your final image simple!  Eliminate all non-essential items, but remember what the subject is, why is it in your final image, and what does it translate to the viewer?

Ideas:

Look for ideas all around you be aware of interesting compositions that may exist right around your home or studio. Visit galleries and museums for inspiration. Look at photography books as well as art books.

Use the internet to learn and view images:

Visit the Canon Digital Learning Center and view the Explorers of Light Gallery at Photoworkshop.com for inspiration.

View Sandisk Knowledge at Photoworkshop.com and see the contest winning images:

View the Adobe Learning Center at Photoworkshop.com and see the Digital imaging Competition winners.


Copyright & Rights: Please adhere to all the rules and regulations of copyright with your images and the copyright of others.

Also, listen to the audio interview on copyright with attorney Robert Cavallo in the Conference Room at Photoworkshop.com.


Click here to view Storyteller Bios.


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