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Title: Coposition-Chapter 1 - 360 Degrees Post by: wilbs999 on January 09, 2011, 09:16:27 AM I did this chapter a while ago - on the old Photoworkshop.com site, but would like to put it back up again, just to see if I can.
This is a portion of the machinery that I think helped to produce electricity for the Collins Company, taken in 2008. Title: Re: Coposition-Chapter 1 - 360 Degrees Post by: wilbs999 on January 15, 2011, 10:26:43 AM Thanks. The Collins Co. has some great shooting opportunities. The old factory has lots of good things.
Title: Re: Coposition-Chapter 1 - 360 Degrees Post by: labontecheetah on March 15, 2011, 11:18:26 AM Thought the composition was great. First reaction...Wow! Second reaction... little dark otherwise nice shot.
Title: Re: Coposition-Chapter 1 - 360 Degrees Post by: DoubleTap on September 12, 2011, 10:32:05 AM wilbs999,
This is a great photo. I agree about the color contrast. That really makes the foreground object pop out but still leaves a very interesting background. I am not sure I agree with the darkness comment. I think it would be interesting to see this image with a little bit more detail in the shadows, but I also like the mood that the shadows bring. Thanks Title: Re: Coposition-Chapter 1 - 360 Degrees Post by: wilbs999 on September 12, 2011, 05:46:19 PM Thanks, Doubletap!
Took pics of the grandkids this weekend, not because of the weekly, because even though I've been a member since before the crash, I can't figure out how it works. Studying hard, practicing constantly, happy when somebody notices. Thanks Title: Re: Coposition-Chapter 1 - 360 Degrees Post by: goldenguras on December 05, 2011, 02:26:59 AM I think macro lens and going even closer would make sense.
Title: Re: Coposition-Chapter 1 - 360 Degrees Post by: wilbs999 on December 05, 2011, 08:55:31 PM You can't get closer, there's a fence. It's a dam, and water is rushing. The gears are huge. Could have used the 100 mm macro but macros are not normally used for depth of field, unless you want to eliminate the background, and everything around where you want to focus. You may know more about that than me, but I was aiming for all in focus, using hyperfocal distance composition.
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